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Six Entrances Of New Parliament Complex, And Their Guardian Animals

On 17th September Morning, Days Ahead Of The New Parliament Building Holding Its First Session, Vice-president Jagdeep Dhankhar Hoisted The National Flag At The Gaja Dwar Of The Building. The...

On 17th September Morning, Days Ahead Of The New Parliament Building Holding Its First Session, Vice-president Jagdeep Dhankhar Hoisted The National Flag At The Gaja Dwar Of The Building. The New Parliament Has Six Entrances, Each Signifying A Different Role.

Six Entrances Of New Parliament Complex, And Their Guardian Animals

Why In The News?

  • On 17th September Morning, Days Ahead Of The New Parliament Building Holding Its First Session, Vice-president Jagdeep Dhankhar Hoisted The National Flag At The Gaja Dwar Of The Building. The New Parliament Has Six Entrances, Each Signifying A Different Role.
  • In Fact, In The New Parliament Building, Red Sandstone Sculptures Of Auspicious Animals Have Been Installed As ‘Guardian Statues’ On All The Six Entrances Based On Their Importance In Indian Culture, Their Aesthetic Appearance, Positive Qualities, And The Study Of Vaastu Shastra.

ASVA

  • Ceremonial Entrance: South
  • Original Location: Sun Temple, Konark, Odisha
  • Time Period: 13th Century CE
  • Ashva Represents Endurance, Power And Dynamism.
  • This Monumental Temple, Which Was Once The Tallest Structure In India, Was Conceived As The Chariot Of Surya With Enormous Wheels And Horses.
  • The Konark Horse Is Also The State Emblem Of Odisha And Has A Place In The Indian Constitution As An Illustration Executed By Acharya Nandalal Bose.
image 413

GAJA

  • Ceremonial Entrance: North
  • Original Location: Madhukeshvara Temple, Banabasi, Karnataka
  • Time Period: 9th Century CE
  • Gaja Represents Power, Wisdom, Wealth, Intellect And Memory.
  • It Is Inspired From The Similar Statues Placed At The Entrance Of 9th Century CE Chalukyan Madhukeshvara Temple At Banabasi, Karnataka. The Gaja Is Depicted Here In Motion Emerging From The Lotus Pond, Decorated With Mala, Diadem With Dangling Kunjalam.
image 414

GARUDA

  • Ceremonial Entrance: East
  • Original Collection: Linden Museum, Stuttgart, Germany
  • Time Period: 18th Century CE
  • Garuda Represents Aspiration, Prosperity, And Progress.
  • It Is Inspired From The 18th Century CE Nayaka Period Sculpture From Kumbakonam, Tamil Nadu, Which Is Currently Located At Linden-museum, Stuttgart, Germany.
image 416

HAMSA

  • Public Entrance: Northeast
  • Original Location: Sri Vijaya Vitthala Temple At Hampi, Karnataka
  • Time Period: 15th Century CE
  • Hamsa Represents The Power Of Discernment, Self-Realization, And Wisdom.
  • Mostly Appearing On The Curvilinear Cornice Between The Wall And The Eaves On Chalukyan Architecture Of The 6th Century CE, Where They Are First Depicted, Hamsa Serves The Same Purpose In Chola Temples Also.
image 417

MAKARA

  • Public Entrance: West
  • Original Location: Hoysalesvara Temple At Halebidu
  • Time Period: 12th Century CE
  • Makara Symbolizes Unity In Diversity And Peaceful Coexistence Among The People Of Different Faiths, Throughout India.
  • In The Gupta Period, Makara Is Shown As The Vehicle Of The River Goddess, Ganga, And Is Usually Depicted At The Door Jambs. Makaras Are Also Used As Pranali Or Water Outlets, Especially In Numerous Temples Across South India.
image 418

SHARDULA

  • Public Entrance: Southeast
  • Original Location: Siva Temple, Morena, MP
  • Present Location: Gujari Mahal Museum, Gwalior Fort, Madhya Pradesh
  • Time Period: 11th Century CE
  • Shardula Represents The Perfect Balance Of Strength And Grace.
  • Shardula Is A Hybrid Form Of A Lion And A Tiger, And It Represents The Perfect Balance Of Strength And Grace, Especially In Central, Eastern, And Southern India.
image 420

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