Six Entrances Of New Parliament Complex, And Their Guardian Animals

On 17th September Morning, Days Ahead Of The New Parliament Building Holding Its First Session, Vice-president Jagdeep Dhankhar Hoisted The National Flag At The Gaja Dwar Of The Building. The...

Zaheer Hussain
September 18, 2023
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On 17^th September Morning, Days Ahead Of The New Parliament Building Holding Its First Session, Vice-president Jagdeep Dhankhar Hoisted The National Flag At The Gaja Dwar Of The Building. The New Parliament Has Six Entrances, Each Signifying A Different Role.

Six Entrances Of New Parliament Complex, And Their Guardian Animals

Why In The News?

On 17^th September Morning, Days Ahead Of The New Parliament Building Holding Its First Session, Vice-president Jagdeep Dhankhar Hoisted The National Flag At The Gaja Dwar Of The Building. The New Parliament Has Six Entrances, Each Signifying A Different Role.
In Fact, In The New Parliament Building, Red Sandstone Sculptures Of Auspicious Animals Have Been Installed As ‘Guardian Statues’ On All The Six Entrances Based On Their Importance In Indian Culture, Their Aesthetic Appearance, Positive Qualities, And The Study Of Vaastu Shastra.

ASVA

Ceremonial Entrance: South
Original Location: Sun Temple, Konark, Odisha
Time Period: 13^th Century CE
Ashva Represents Endurance, Power And Dynamism.
This Monumental Temple, Which Was Once The Tallest Structure In India, Was Conceived As The Chariot Of Surya With Enormous Wheels And Horses.
The Konark Horse Is Also The State Emblem Of Odisha And Has A Place In The Indian Constitution As An Illustration Executed By Acharya Nandalal Bose.

GAJA

Ceremonial Entrance: North
Original Location: Madhukeshvara Temple, Banabasi, Karnataka
Time Period: 9^th Century CE
Gaja Represents Power, Wisdom, Wealth, Intellect And Memory.
It Is Inspired From The Similar Statues Placed At The Entrance Of 9^th Century CE Chalukyan Madhukeshvara Temple At Banabasi, Karnataka. The Gaja Is Depicted Here In Motion Emerging From The Lotus Pond, Decorated With Mala, Diadem With Dangling Kunjalam.

GARUDA

Ceremonial Entrance: East
Original Collection: Linden Museum, Stuttgart, Germany
Time Period: 18^th Century CE
Garuda Represents Aspiration, Prosperity, And Progress.
It Is Inspired From The 18^th Century CE Nayaka Period Sculpture From Kumbakonam, Tamil Nadu, Which Is Currently Located At Linden-museum, Stuttgart, Germany.

HAMSA

Public Entrance: Northeast
Original Location: Sri Vijaya Vitthala Temple At Hampi, Karnataka
Time Period: 15^th Century CE
Hamsa Represents The Power Of Discernment, Self-Realization, And Wisdom.
Mostly Appearing On The Curvilinear Cornice Between The Wall And The Eaves On Chalukyan Architecture Of The 6^th Century CE, Where They Are First Depicted, Hamsa Serves The Same Purpose In Chola Temples Also.

MAKARA

Public Entrance: West
Original Location: Hoysalesvara Temple At Halebidu
Time Period: 12^th Century CE
Makara Symbolizes Unity In Diversity And Peaceful Coexistence Among The People Of Different Faiths, Throughout India.
In The Gupta Period, Makara Is Shown As The Vehicle Of The River Goddess, Ganga, And Is Usually Depicted At The Door Jambs. Makaras Are Also Used As Pranali Or Water Outlets, Especially In Numerous Temples Across South India.

SHARDULA

Public Entrance: Southeast
Original Location: Siva Temple, Morena, MP
Present Location: Gujari Mahal Museum, Gwalior Fort, Madhya Pradesh
Time Period: 11^th Century CE
Shardula Represents The Perfect Balance Of Strength And Grace.
Shardula Is A Hybrid Form Of A Lion And A Tiger, And It Represents The Perfect Balance Of Strength And Grace, Especially In Central, Eastern, And Southern India.

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Zaheer Hussain

Senior Lecturer General Studies, SSBCrackExams, Passionate Teacher, Masters in Public Administration, Expertise in Polity, History and Current Affairs. Loves Food and traveling Solo.